Wei Wu

     Grammy Award-winning bass Wei Wu trained at the People’s University of China, Beijing, before continuing his education at the University of Colorado at Boulder, which recently bestowed upon him the Kalpana Chawla Outstanding Recent Graduate Award. He is a graduate of Washington National Opera’s Cafritz Young Artist Program.

    The 2024-2025 season promises exciting returns for Mr. Wu, as he begins the season with Los Angeles Opera, singing both Frère Laurent in Roméo et Juliette and The Bonze in Madama Butterfly. He then bows with Austin Opera for Verdi’s Messa da Requiem, and brings his celebrated portrayal of Kōbun in The Revolution of Steve Jobs to Washington National Opera.

​    The bass’s 2023-24 season brought notable house debuts, as Kōbun with San Francisco Opera, and as Zuniga in a new production of Bizet’s Carmen with The Metropolitan Opera. During the summer, he returned to Bard Summerscape as Mathisen in Meyerbeer's Le prophète. 

     During the 2022-23 season, Mr. Wu makes his debut with Los Angeles Opera as Angelotti in Tosca, joins both Calgary Opera and Utah Opera as Kobun in The (R)evolution of Steve Jobs, and sings Frère Laurent in Roméo et Juliette at Central City Opera. The 2023-24 season will bring his Metropolitan Opera debut.

     Mr. Wu’s 2021-2022 season included his debuts with New Orleans Opera, as Hunding in the first act of Die Walküre, and Opera Philadelphia, for his role debut as Sparafucile in Rigoletto, as well as a return to the Metropolitan Opera, covering the role of Timur in Turandot. The season also featured performances of Kobun with Austin Opera and Lyric Opera of Kansas City, and his debut with Des Moines Metro Opera, singing Marv Carson in the world premiere of A Thousand Acres and Snug the Joiner in Britten’s A Midsummer Night’s Dream. For the COVID-19 impacted 2020-2021 season, the bass will sing Allan in the American Premiere production of Chausson's only opera King Arthur (Le roi Arthus), with Bard SummerScape Festival. He will return to the Metropolitan Opera in the fall to cover the role of Timur in Turandot.  

    In Season 2018-2019, Mr. Wu returned to Washington National Opera as the Sacristan in Tosca sang the role of Raimondo in Lucia di Lammermoor with Maryland Lyric Opera, and debuted with Minnesota Opera as Arnold “Chick” Gandil in the world premiere of Joel Puckett’s The Fix. With NCPA Beijing, he appeared as Il Re in Aida under the baton of Maestro Daniel Oren, and he appeared in concert with The Orchestra Now for Verdi’s Requiem.

    In the 2017-2018 season, Mr. Wu sang Don Basilio in Il barbiere di Siviglia with Washington National Opera, appeared in concert with the West Virginia Symphony for Verdi’s Requiem, and sang the Bonze in Madama Butterfly with The Princeton Festival.

    The bass’s performances in the 2016-2017 season included creating the role of Kobun in The (R)evolution of Steve Jobs in his debut with Santa Fe Opera, Timur in Turandot with Pittsburgh Opera, and Don Basilio in Il barbiere di Siviglia with NCPA Beijing. He covered Gualtiero Walton in I Puritani for the Metropolitan Opera. On the concert stage, he joined the Kansas City Symphony and Choral Arts DC for the Mozart Requiem and appeared with Washington Concert Opera as Phanuel in Hériodade.

    Mr. Wu’s 2015-2016 season included engagements singing the Old Hebrew in Hugo De Ana's new production of Samson et Dalila at the NCPA Beijing alongside with José Cura , Bonze in Madama Butterfly with North Carolina Opera in his company debut, Father Trulove in The Rake’s Progress with Pittsburgh Opera, and the Ghost of Nino in Washington Concert Opera’s production of Semimirade. In his final year as a Cafritz Young Artist of Washington National Opera, his role assignments included covering the role of Zuniga in Carmen and Wilcox in the World Premiere of Better Gods.

    In the 2014-2015 season, he appeared as Colline in La bohème, The King in The Little Prince, Javelinot in Dialogues of the Carmelites, covers the Captain in Florencia en el Amazonas, and sings Mr. Shaw in the world premiere Penny. He made his debut with Washington Concert Opera in Guntram under the baton of Maestro Antony Walker. He joined the Glyndebourne Festival to cover Osmin in Die entführung aus dem Serail. Mr. Wu also made his Alice Tully Hall debut singing in concert with performers from China’s I Sing Festival and debuted with NCPA Beijing as the Four Villains in Les contes d’Hoffman under director Francesca Zambello.

    In his first season with Washington National Opera, Mr. Wu has made his debut in the world premiere production of The Lion, The Unicorn and Me as the Inn Keeper, Lizard, Ox, and The Shepherd, and he also appeared in Breaking, part of the American Opera Initiative. He has also appeared in The Magic Flute as the Second Armored Man at the Kennedy Center.

    A native of China, the bass first came to the United States as a young artist covering the titular role in the world premiere of Poet Li Bai at Central City Opera in 2007. He also served as the lead cover of Li Bai throughout the production’s subsequent tour in Rome, Beijing, Shanghai, Hong Kong, Denver, and Los Angeles. While a student at the University of Colorado, Wei Wu performed roles including Figaro in Le nozze di Figaro (University of Colorado), Colline in La bohème (Colorado Springs Philharmonic), Ferrando in Il trovatore and Tom in Un ballo in maschera (China National Opera).

    Mr. Wu is a regional finalist and district special award winner (Rocky Mountain Region) for the Metropolitan Opera National Council Audition in 2010 and 2012. He was also the winner of the Denver Lyric Opera Guild Competition in 2011 and 2012. The second prize winner of  The Gerda Lissner Foundation Vocal Competition and placed third in the 5th Taiwan Vocal Competition. He is featured as Kōbun Otogawa on the original cast live recording of The (R)evolution of Steve Jobs, which received the 2019 Grammy Award for Best Opera Recording.